In this collection, you’ll find some of the best free and high-quality sans serif fonts for clean and professional designs that you can download on the web. Rex Free Font Rex is a font family with three weights – light, bold and bold inline – that was designed to create unique titles on the fly. … Continue reading
Suggestion: Idlewind with Knockout Idlewind with Claimcheck A distinctive typeface that’s at home everywhere it goes. For the longest time, we’ve been reaching for a typeface that wasn’t there. We knew it was something spare and tranquil, its letterforms reaching ambitiously outward, and we could hear it speaking in hushed but captivating tones. We imagined … Continue reading
Type Specimen is the first font viewer for iPad, revolutionizing the way digital fonts are presented today. It’s an ideal tool for people who need to select fonts for projects – be it magazine design, corporate identity design, web applications, or book typesetting. Type Specimen is a quick and easy way to navigate the type foundry, … Continue reading
David Berlow and staff drew Apres as part of a series designed originally for the Palm Pre smart phone, for use both on the device and in print marketing. Simple, open letterforms and generous proportions provide a clear, comfortable, and inviting experience for navigation and readability. The plain-spoken geometry is regular and balanced, without being … Continue reading
Newspaper typefaces require a higher legibility then typefaces used for other printed products. Newspaper are printed on a paper of lesser quality under high speed. 1. Great newspaper body copy typeface. Serif typeface is easier to read then sans serif font. 2. The right size. Don’t go under 9 pt. As a basic rule this … Continue reading
New York Times Magazine Project Art direction by Arem Duplessis and Gail Bichler.Commissioned to replace the magazine’s trusted go-to sans Helvetica, Sunday is an expansive family of fonts for information in tiny spaces and headlines at large sizes. Exclusive to the New York Times until 2011. Design: Eric Olson.processtypefoundry.com
Photo by Hoefler & Frere-Jones In 2002 Hoefler and Frere Jones redesigned the Scotch style (dated from eighteenth century) with the goal of producing two families of fonts: a text face that would withstand the effects of different kinds of media, and a display face „that would unlock the potential of the Scotch style to … Continue reading