Jeff Jarvis

This tag is associated with 6 posts

Paul Mason: The end of capitalism has begun…Yes it did – 20 years ago

“Capitalism, it turns out, will not be abolished by forced-march techniques. It will be abolished by creating something more dynamic that exists, at first, almost unseen within the old system, but which will break through, reshaping the economy around new values and behaviours. I call this postcapitalism…”. – Paul Mason Zoran Opalic: Could we call … Continue reading

Jeff Jarvis: Geeks Bearing Gifts

by Jeff Jarvis     More… I’ve posted two really short chapters from Geeks Bearing Gifts today on Medium: one on curation, one on data. Then I’ll take a break for the holiday and come back with a bigger chapter on rethinking what mobile really means for news. A snippet from the chapter on curation (relevant to … Continue reading

Jeff Jarvis: Viral BS as the new classifieds

  by Jeff Jarvis A very well-done post about viral bullshit on Gawker (et al) by Mathew Ingram really comes down to this: Journalism used to be subsidized by classifieds and fluff, now it is built atop viral bullshit. The argument: Sure, we serve crap — or cats — but that’s what brings in the … Continue reading

OK Glass! Take a picture!

Jeff Jarvis: Demonstrating Google Glass At the Guardian’s Activate conference in London, which I emceed, I brought mirth with a demonstration of Google Glass. Thank goodness they edited out my many unsuccessful attempts to get the camera to take a picture of a QR code on my phone so I could pair Glass with it … Continue reading

The Sun-Times fired its entire photo department

The Sun-Times was wrong and right when it fired its entire photo department. Wrong: Images are more important than ever. Look at this page: Medium practically forces us to include a photo with every post. On Google+ posts sans images get little love. This week at my J-school, a dean emphasized that every item we … Continue reading

New book by Jeff Jarvis: Public Parts

  How Sharing in the Digital Age Improves the Way We Work and Live  Public Parts – A visionary and optimistic thinker examines the tension between privacy and publicness that is transforming how we form communities, create identities, do business, and live our lives. Thanks to the internet, we now live—more and more—in public. More … Continue reading

Aston Martin DB10

Production will be strictly limited to 10 of the bespoke sports cars, developed and built by the designers, engineers and highly skilled craftspeople at Aston Martin’s Gaydon headquarters.

Architect Oscar Niemeyer

"My work is not about form follows function, but form follows beauty or, even better, form follows feminine."

BACK to BASICS: Portraits

Portraits of people are one of the first elements of the photography used in newspapers.

Typography: x-heigh

In typography, x-heigh refers to the heigh of lower case letters without upper or lower parts when compared to capital letters...

Designer George Lois

“I always knew I was the most talented kid in the school, ” says George Lois of his time at Music and Art. “I was lucky to be exposed to the city’s best art education"...

BODY COPY

Newspaper typefaces require a higher legibility then typefaces used for other printed products. Newspaper are printed on a paper of lesser quality under high speed.

How to redesign 1

Good redesign is driven by a deep understanding of the editorial mission of the publication.

Headline on photographs

The eternal dilemma! Dilemma of all editors on the planet Earth – to put or not put the headline or any kind of type in the photo.

Design Facts

Three elements that will greatly help you to understand how readers are observing you.

Typeface: NY Times Magazine

Sunday Magazine is an expansive family of fonts for information in tiny spaces and headlines at large sizes.

Infographics

When, why and whether to use infographic. The basic fact is that infographic refresh the publication, and it contributes to originality of your product.

A well-designed publication

Everything that a well-designed publication must have...

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